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YEUNG Yin Ting

楊燕婷

tinayeung630@gmail.com
@tinaatuna

YEUNG Yin Ting, Tina (b.1998), a Hong Kong emerging new media artist who works in image-based mediums such as photography, 3D modelling and videography. Her experimental multi-media methods can be understood through previous works in performance and videography such as Scan On Scars (2017); programming and videography in Pandora’s Traps (2018).

YEUNG is interested in exploring the relationship between digital technology and images. She is fascinated by using 3D scanning technology to capture images, and building ‘real-fake’ 3D models. As a media art lover, YEUNG is conscious of social media engagement and she investigates online cultural platforms such as TikTok.

Her works have been featured in group exhibitions including Emerging Design Talents, Hong Kong (2018); Printmaking Student Works Showcase at Georgia College, the United States (2019); Pathfinder at Kunstquartier Bethanien, Germany (2020) ; The Ghosts in Walls at ITALIC, Germany (2020); Global Campus Studio at Ryerson University, Canada (2021).

楊燕婷生於1998年,是一位香港新晉新媒體藝術家。楊氏的藝術創作脈絡始於對圖像和形態的研究,涵蓋攝影、三維模型和錄像,並憑著不同的跨媒體實驗實踐至她的行為藝術及錄像作品:《掃描瘡疤》(2017);電腦編程及錄像作品:《潘朵拉的陷阱》(2018)。楊氏的作品曾於香港、美國、德國及加拿大展出。

楊氏熱衷於探索不同的創作可能性,以及探討科技與圖像之間的關係,包括利用掃瞄器產生圖像和透過三維圖像軟件創造出如幻似真的三維模型,試圖突破傳統藝術的框架。作為媒體藝術家,社群媒體文化與資訊時代都是楊氏所關注的焦點,其研究著力於審問和探討互聯網所衍生的文化議題,如抖音和網絡監控等。

Scan on Scars

掃描瘡疤

Performance art, videography

行為藝術、錄像

Duration variable 時長不定

2017

我試圖讓人們了解我過去被欺凌的情感和經歷。 觀眾觀看我的影片後,便紛紛離去,無一停留。 然而那些心中的無助和掙扎是不可言喻,只有透過我身上的行動條碼去訴說故事。 這些錄像是我自己的一部分,如果人們希望能了解我更多,請掃描我的瘡疤。

I attempts to let people understand my emotions and experience of being bullied. After watching my video, people left one after another without staying. I can’t explain all the helplessness I experienced, but only my QR codes can tell the stories. All those videos are part of myself. If people wish to know more about me, scan on my scars.

YEUNG Yin Ting

楊燕婷

tinayeung630@gmail.com
@tinaatuna

YEUNG Yin Ting, Tina (b.1998), a Hong Kong emerging new media artist who works in image-based mediums such as photography, 3D modelling and videography. Her experimental multi-media methods can be understood through previous works in performance and videography such as Scan On Scars (2017); programming and videography in Pandora’s Traps (2018).

YEUNG is interested in exploring the relationship between digital technology and images. She is fascinated by using 3D scanning technology to capture images, and building ‘real-fake’ 3D models. As a media art lover, YEUNG is conscious of social media engagement and she investigates online cultural platforms such as TikTok.

Her works have been featured in group exhibitions including Emerging Design Talents, Hong Kong (2018); Printmaking Student Works Showcase at Georgia College, the United States (2019); Pathfinder at Kunstquartier Bethanien, Germany (2020) ; The Ghosts in Walls at ITALIC, Germany (2020); Global Campus Studio at Ryerson University, Canada (2021).

楊燕婷生於1998年,是一位香港新晉新媒體藝術家。楊氏的藝術創作脈絡始於對圖像和形態的研究,涵蓋攝影、三維模型和錄像,並憑著不同的跨媒體實驗實踐至她的行為藝術及錄像作品:《掃描瘡疤》(2017);電腦編程及錄像作品:《潘朵拉的陷阱》(2018)。楊氏的作品曾於香港、美國、德國及加拿大展出。

楊氏熱衷於探索不同的創作可能性,以及探討科技與圖像之間的關係,包括利用掃瞄器產生圖像和透過三維圖像軟件創造出如幻似真的三維模型,試圖突破傳統藝術的框架。作為媒體藝術家,社群媒體文化與資訊時代都是楊氏所關注的焦點,其研究著力於審問和探討互聯網所衍生的文化議題,如抖音和網絡監控等。

The Tiny Things

微微之物

Inkjet print photo paper on aluminum composite panel

噴墨打印鋁塑板

Set of 10: size variable 共10張,尺寸不定

2017-20

整個掃描圖像系列旨在引導觀眾深入觀察微小的物件,與我們社會周遭扣連起來。 通過掃描器獲取這些影像,而掃描的過程則隱喻著對新聞和信息緩慢消化的過程。將物件重新佈置在不同的位置和次序,為物件的不同特性上賦予新的含義。

This series of scanography intends to lead the audience to look deeply into tiny objects, and associate them with the social issues surrounding us. The process of capturing those objects through a scanner is a metaphor for the slow digestion of news and information. By rearranging the objects into different positions, the combinations have given a new meaning to the objects' characteristics.