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Tse Christy TSZ Kiu

謝芷蕎

tsetszkiuchristy@gmail.com
@tsetszkiuchristy

TSE Christy Tsz Kiu, Christy is interested in exploring the relationship between space, human perception, and imaginative futures. She often experiments with divergent space and scenarios in various media and observes how humans perceive such messages. Hence, believes that humans will never have identical perceptions even in the same situation, which makes different human beings. TSE currently focuses on studying stained glass and its association with different scenarios of imaginative futures.

'I admire the intelligence and dedication that were put into stained glass panels by countless glass artists. The balance between functionality and aesthetics sustained itself and made it irreplaceable. Yet, stained glass’s dependence on light created a demand for the destination of architecture that connects indoor and outdoor. Such characteristics intrigued me to use stained glass as a "space" to experiment on how people perceive various kinds of stained glass and reenact the interaction between light, stained glass, and humans that were originally invented. By carrying out such experiments, I try to understand how different people are in varying ways.'

謝芷蕎對於探索空間,人類感知力和虛構未來之間的關係深感興趣。她經常在各種媒體中對不同的空間和場景進行實驗,觀察人類如何感知信息。她相信,即使在相同的情況下,人類也永遠不會有相同的感知,這使人類與眾不同。 她目前專注於研究鑲嵌玻璃及聯繫不同虛構的場景。

「我很欣賞不同玻璃藝術家對鑲嵌玻璃的智慧和奉獻精神。功能性和美學之間的平衡使其不可取替。然而,鑲嵌玻璃對光的依賴性連接建築的室內及室外。這些特性使我對運用鑲嵌玻璃作為『空間』感興趣,從而嘗試人們如何感知各種鑲嵌玻璃,同時重新體現鑲嵌玻璃最初意圖:人與光和玻璃的互動。通過進行這樣的實驗,我試圖了解不同人在不同方面的差異。」

Decades

Glass and metal hooks

9 × 20 cm

2020

Decades attempts to represent the controlless of the identity in the world that I have lived in. Hence, I experimented with the versatility of glass. Using metal hooks that are usually used for hanging meat in wet markets, the sharp ends created a contrast with the fragility of glass which helped portray the relationship between identities and the world.

Tse Christy TSZ Kiu

謝芷蕎

tsetszkiuchristy@gmail.com
@tsetszkiuchristy

TSE Christy Tsz Kiu, Christy is interested in exploring the relationship between space, human perception, and imaginative futures. She often experiments with divergent space and scenarios in various media and observes how humans perceive such messages. Hence, believes that humans will never have identical perceptions even in the same situation, which makes different human beings. TSE currently focuses on studying stained glass and its association with different scenarios of imaginative futures.

'I admire the intelligence and dedication that were put into stained glass panels by countless glass artists. The balance between functionality and aesthetics sustained itself and made it irreplaceable. Yet, stained glass’s dependence on light created a demand for the destination of architecture that connects indoor and outdoor. Such characteristics intrigued me to use stained glass as a "space" to experiment on how people perceive various kinds of stained glass and reenact the interaction between light, stained glass, and humans that were originally invented. By carrying out such experiments, I try to understand how different people are in varying ways.'

謝芷蕎對於探索空間,人類感知力和虛構未來之間的關係深感興趣。她經常在各種媒體中對不同的空間和場景進行實驗,觀察人類如何感知信息。她相信,即使在相同的情況下,人類也永遠不會有相同的感知,這使人類與眾不同。 她目前專注於研究鑲嵌玻璃及聯繫不同虛構的場景。

「我很欣賞不同玻璃藝術家對鑲嵌玻璃的智慧和奉獻精神。功能性和美學之間的平衡使其不可取替。然而,鑲嵌玻璃對光的依賴性連接建築的室內及室外。這些特性使我對運用鑲嵌玻璃作為『空間』感興趣,從而嘗試人們如何感知各種鑲嵌玻璃,同時重新體現鑲嵌玻璃最初意圖:人與光和玻璃的互動。通過進行這樣的實驗,我試圖了解不同人在不同方面的差異。」

Evergreen

Mixed media

2018

‘Vintergrön växt’ is an evergreen plant, bush, and tree, which have leaves for the whole year. During the exchange program in Sweden, I didn't have much hard time with food nor people. But I figured out that my perspectives towards Christmas are different compared to the Swedes.