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LIM Ching Yung

林靖榕

angelalim609@gmail.com
@angela_lim_ifnt609_ins

LIM Ching Yung, Angela, is proficient in quintessential art mediums, whose artistic skills has a solid foundation of more than sixteen years. Her practice encompasses drawing, painting, illustration, Chinese ink painting, seal engraving, paper crafting and design.

The conceptual exploration within her works, range from gender and sexual issues, life and death, nature and humanity, fantasy and reality. Her creative practices delve into the complexities of cognitive, sensory and emotional experiences with delicacy and authenticity.

She possesses a dedicated interest in visual arts that transcends the test of time and incredulity.

林靖榕嚴格自律、刻苦耐勞,鑽研藝術十多年,精通各項傳統藝術媒介,如繪、畫、水墨、篆刻、紙本工藝及設計。

她情感豐沛、勇於表達,作品描繪了性與愛、生與死、天與人、虛與實。既愛恨交織,亦刻骨銘心。

也許是命中注定,仍於時間與非議的漩渦中掙扎着。

why i have to?

我不要

Oil on canvas

油彩布本

Set of 2: 60 × 90 cm each

2019

血肉交織而成的紅色,烈豔奪目,卻血腥殘酷。

Red symbolises luck with good wishes in traditional Chinese culture, yet it is an uncomfortable colour with unrest violence. Cruel as what they ask me to do.

LIM Ching Yung

林靖榕

angelalim609@gmail.com
@angela_lim_ifnt609_ins

LIM Ching Yung, Angela, is proficient in quintessential art mediums, whose artistic skills has a solid foundation of more than sixteen years. Her practice encompasses drawing, painting, illustration, Chinese ink painting, seal engraving, paper crafting and design.

The conceptual exploration within her works, range from gender and sexual issues, life and death, nature and humanity, fantasy and reality. Her creative practices delve into the complexities of cognitive, sensory and emotional experiences with delicacy and authenticity.

She possesses a dedicated interest in visual arts that transcends the test of time and incredulity.

林靖榕嚴格自律、刻苦耐勞,鑽研藝術十多年,精通各項傳統藝術媒介,如繪、畫、水墨、篆刻、紙本工藝及設計。

她情感豐沛、勇於表達,作品描繪了性與愛、生與死、天與人、虛與實。既愛恨交織,亦刻骨銘心。

也許是命中注定,仍於時間與非議的漩渦中掙扎着。

?

Self-bound book, charcoal, sketches

自行釘裝繪本、炭筆素描

31 × 19.5 × 0.7 cm

2020

抽象,望以抽離,願為隱晦,卻已訴情。

Abstraction is a way of self-protection from exposure, whilst it’s an outburst of hidden overwhelming emotions. The involvement of myself into the work is not directly revealed visually yet obliquely spilled out emotionally.